Her apathy to the world aggravates with the further attempts of her environment to persuade her in the futility of her fears and obsessions

Her apathy to the world aggravates with the further attempts of her environment to persuade her in the futility of her fears and obsessions

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Sexual Exploitation

William Wells Brown was born of a slave mother, Elizabeth, who was at the time working for Dr. John Young. His father, supposedly a relative of Dr. Young, was a white man. It goes without mentioning that his birth was a result of sexual exploitation of slaves by slave masters. Slave masters sexually exploited their slaves, but never turned up to claim their children. It shows the degree of moral decadence in the society at the time. According to the religion that Southerners claimed to respect so much, sexual relationships were supposed to be practiced primarily by married couples (Ernest, 1110). The subject also questions the stability of racial lines in as far as sexual relationships are concerned. At one point, race was used to limit their rights and several other activities in America and at other points it seemed meaningless. The subject of sexual exploitation of female slaves appears particularly attractive for William Wells Brown. William’s birth was a result of sexual exploitation of slaves by their masters. Unfortunately, his mixed heritage did not give him any social advantages. The society treated him like any other African American, i.e. a slave without dignity.

In the play, Melinda has to avoid the temptation of falling into her master’s trap for sexual exploitation. Dr. Gaines, her master, offered to find her a separate cottage to keep her as his mistress several times. It is important to note that these sexual advances started when Melinda was only a little girl. Thus, it was not only an affront to her status as a slave, but also an affront to her gender. William Wels Brown mainly intended to rope in the idea of gender in order to give his play more attention from the society. Melinda only represented several ladies who lost their innocence to their slave masters (Ernest 1110). More importantly, her curse would be her God-given beauty in this case. The author also includes marriage in the story to show how vulnerable female slaves were in the society. Unknown to Dr. Gaines, Melinda and Glen are secretly married. Thus, when Dr. Glen insists on seeking to exploit her sexually, she confronts him with the reality of her marriage. Marriages were to be respected and Melinda expected this revelation to keep Dr. Gaines away from her. It was her last point of defense after several years of exploitation (Brown 324).

Sexual exploitation was one of the severe forms of emotional torture that slave masters exposed their female slaves to. It was planned and executed without their consent and women slaves were expected to keep silent about it.123helpme.me It goes without mentioning that sexual exploitation of female slaves showed a great deal of moral decadence in the American society. The whites did not just lack respect for their slaves, but also for their families. It is the reason why William Wells Brown mocks whites of their deeds that resulted in his birth in his later lectures. Slaves who refused these sexual advances were treated with untold cruelty. According to the play, the Southerners did not match their religious values with concrete actions. While their religious beliefs forbade them from having extra-marital sexual affairs, they willingly seduced female slaves. Besides, these acts of sexual violence were meted against female slaves due to the account of their God-given beauty. Brown sought to portray sexual exploitation of slaves as an outright act of hypocrisy among the Southerners, who were mostly of the Christian faith (Brown 324).

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Northerners against Slavery

In the play, William Wells Brown uses Mr. White to depict the antislavery mood in the North. Unlike in the Southern states, the Northerners mainly condemned slavery and occasionally slammed Southerners for insisting on it. Mr. White had traveled to the South where he talked about slavery in public. As a result, Southerners attacked him and he had to hide and escape back to the North for his safety. This incident showed the heightened tension between the South while the North (Ernest 1110). This tension threatened to explode into a civil war by every passing day. As the Northerners opposed slavery, they also denied Blacks their fundamental rights and freedoms. It was arguable that they had no moral authority to lecture the Southerners on slavery. In fact, the Southerners interpreted their opposition to slavery as an act of economic sabotage. The Southerners were mainly agriculturalists who depended on manual labor for his or her farms. Slavery seemed to provide the cheapest source of labor. In turn, Northern states were industrialized and did not entirely rely on manual labor. As a result, Blacks were dangerously caught up in the political tension between the Northerners and also the Southerners (Brown 324). The Northern anti-slave crusaders came to the aid of Southern slaves. However, most of it was lip service because they also participated in violation of the rights f Blacks, albeit in a different way.

Conflict of Religion and Race

Slavery is closely intertwined with all the history of the United States right from the American Revolution to the Civil War (Neely Jr. 457). The American founding fathers fronted the Revolution to bring liberty to the American soil only to form a nation created on slavery. Indeed, antislavery crusaders often cited this as a proper justification for cessation of slavery. In their argument, they maintained that Blacks had also contributed immensely in the Revolution in pursuit of liberty (Ernest 1110). Thus, they needed to be given freedom by totally abolishing slavery in the United States of America., When drafting the Declaration of Independence, Thomas Jefferson gave slavery a prominent coverage. He listed slavery as one of the social evils that was forced upon the United States by the British. The American founding father, renowned for his immense contribution to the liberation struggle, was deeply concerned about the moral consequence of America’s reliance on slavery (Brown 324). According to him, the liberation struggle was anchored in the conviction that liberty was a precious gift from God and that those who violated it were bound to face the wrath of God Himself. Again, Brown brought in the “American Dream” as well as America’s religious inclination to condemn the atrocities meted against blacks in slavery.

As slavery became commonplace in the Southern states, it increasingly became a subject of confrontation in the Congress as well as periodicals and articles. It is instructive to note that while most Northerners and indeed Southerners understood Jefferson’s moral argument against slavery, they still supported it either economically or politically. It was characteristic of a nation torn between total human liberty and the system of slavery (Ernest 1110). Essentially, the Northerners used the fate of Southern slaves to define labor relations in the North. By making sensational claims regarding white slavery, the Northern labor movement made successful arguments in relation to labor relations. In fact, labor movements were born around this time as most whites took up jobs in industries. It was a complex conflict of religion and race between the North while the Southern states. Although Blacks in the antislavery movement used the confusion to advance their agenda, most scholars contend it was a tricky balance. For instance, William Wells Brown was intelligent enough to hide the fact that he was speaking for black slaves in his public lectures across America after his escape. In most cases, he would add gender and religious issues to deflect attention from race and slavery. He understood that gender and religious issues resonated well with the entire American society. At the time, women in America did not have voting rights and finding meaningful employment was a tall order (Brown 324).

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Separation of Families

Separation of families is another manner in which slave masters intimidated and inflicted emotional torture on slaves.https://123helpme.me/ William Wells Brown faced this fate when he attempted to escape with his entire family. As a result, they were chained, severely whipped, and separated as a family. They were individually sold to different slave masters, never to see one another again. According to William Wells Brown, this was the ultimate punishment for daring to escape from slavery. However, William found opportunity to escape and fled to the North where he adopted a more meaningful career of lecturing. The same fate befalls Melinda and Glen in their new-found love. Although the two are in love, their slave master would not allow them to marry. Instead, all barriers are erected on their way of being together in order intentionally to discourage them. After all, their being together is a major hindrance to Dr. Gaines’ lusty relationship with Melinda. Essentially, separation of families was used intentionally to manipulate slaves and prevent them from fronting a joint action plan against slavery. Slave marriages survived on the whims of their slave masters. a slave master could decide to end them any time through the sale one from a slave couple. It is a tool that slave masters used quite ruthlessly to manipulate and humiliate their slaves (Brooks 112). Instructively, Christianity advocates for sanctity of the family and emphasizes on non-interference with what God has put together. Thus, Brown sought to make a religious appeal to make his point.

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“The Tell-Tale Heart” is a short story with very selected but informative language. Poe deliberately chooses simple phrases, which are often abruptly interrupted, to show nervous tension of the main character and his disability to think logically.

Ha! – would a madman have been so wise as this? And then, when my head was well in the room, I undid the lantern cautiously – oh, so cautiously – cautiously (for the hinges creaked) – I undid it just so much that a single thin ray fell upon the vulture eye…for it was not the old man who vexed me, but his Evil Eye (Poe 3).

The style of the story creates impression of a full immersion into the inner world of the character, who is the narrator of the story. The readers trace his reflection, and for moment, start thinking from his point of view. Edgar Allan Poe’s skill is in making the readers feel instead of the main character. Short torn phrases, frequently used exclamations, and detailed description of the narrator’s feelings let the readers feel the full horror of the events, that is not realized by the main character, however.

The readers do not know any details of the characters’ lives. The author does not give names, age and description of the main characters. What the readers definitely know about the main character is that it is a man, residing in the apartment with the owner of the dwelling. One knows neither the relations between them nor the life of the main character before the events in the story. The author does not tell the readers the reasons for the character’s madness, but makes the madness the only reason of the crime. Poe focuses readers’ attention on the absence of usual, rational causes of committing a crime. The narrator of the story does not have any thirst for money or personal antipathy to the killed man. Moreover, he even claims he loves him. “I loved the old man. He had never wronged me” (Poe 2). Thus, his crime becomes even more irrational. However, he is obsessed with the man’s eye, which seems threatening to him and pursuing him, and it makes the readers receive final evidence of the character’s insanity. While usually criminals insist on their innocence, the character of the story tries to prove his sanity and pays no attention to the fact of the crime. He emphasizes how he thought over all the details and planned his crime. “You fancy me mad…You must have seen how wisely I proceeded – with what caution – with what foresight – with what dissimulation I went to work” (Poe 2). However, for a sane person, it becomes clear that a crime, caused by the hatred of somebody’s eye is a pure sign of a mental disorder. Moreover, the character perceives the man’s eye separately from his personality, as it was another being. Peculiarity of a mental disorder is that obsessed people can never get rid of their obsession. Having eradicated the seeming cause of their anxiety, they acquire another one. It is proved by unravelling of the plot, as after the murder of the man and dismemberment of the body, the narrator starts hearing the beating of this dead man’s heart. He developes a new obsession, and it is a continuous process, due to the fact source of the character’s instability is inside him. “It was a low, dull, quick sound – much such a sound as a watch makes when enveloped in a cotton….I foamed – I raved – I swore!” (Poe 6).

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“The Tell-Tale Heart” shows all the horror of mental disorder and makes the readers feel the accomplices of the crime. The ambiguity of the story is that, on the one hand, the readers see the cruel and cool-blooded crime but on the other hand, they cannot help avoiding sharing the main character’s feelings of obsession and horror.

In contrast to “The Tell-Tale Heart”, the main character of “The Yellow Wallpaper” knows about her mental instability from the very beginning. Though she does not acknowledge her mental disorder, she admits being depressed and nervous. Moreover, as Gilman develops the plot, the readers can see that the ultimate mental disorder could be avoided, but the environment and lack of proper attention contributed to aggravation for the woman’s health.

While in Poe’s short story, the readers find rather restrained language, “The Yellow Wallpaper” abounds in synonyms, adjectives, and detailed descriptions of the main character’s feelings and thoughts. “The color is repellant, almost revolting; a smouldering unclean yellow, strangely faded by the slow-turning sunlight. It is a dull yet lurid orange in some places, a sickly sulphur tint in others” (Gilman 8). Due to such rich language, the readers notice all the nuances in the development of the story.  Due to the fact woman’s illness progresses, one can notice how the wallpaper becomes the character of the story. As it gets alive in the mind of the woman, it draws the readers’ attention. Detailed description of the wallpaper helps to imagine it and to understand the feelings of the woman. Unlike “The Tell-Tale Heart”, the main aim of the story is to show development of the character’s madness and the conditions, which led her to such state.

The first person narration lets the readers know all the woman’s thoughts and penetrate into her inner world. The readers can see how she lacks sincere care and attention to her feelings and needs from her husband. Despite his seemingly professional treatment, the rest is not what she needs. Instead, she wants more communication and sharing of her feelings. However, she can find no one to understand her and has nothing to do than to escape into another reality, which becomes the reality of the wallpaper. The room where she stays most of her time becomes her jail while the object, which she simply disliked at first, eventually becomes her obsession.

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The readers may notice as she keeps calling her child “a baby”, without any name.  Her apathy to the world aggravates with the further attempts of her environment to persuade her in the futility of her fears and obsessions. Moreover, she perfectly understands the wrongness of her husband, “a physician of high standing”, concerning her state while the cure. “Personally, I believe that congenial work, with excitement and change, would do me good. But what is one to do?” (Gilman 1). However, she cannot argue with him and, as a result, she withdraws into herself and her obsession becomes her reality.

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Portraying development of the character’s madness, Charlotte Perkins Gilman wanted to highlight the loneliness of a married woman and to draw people’s attention to the problem . The role of women in the society narrowed to the role of a wife, who was not supposed to express herself in almost any type of creative work, especially in writing. Thus, one can see that the main character is forbidden to write her journal. She does it secretly as it is the only way for her to keep the last signs of sanity. “…it does exhaust me a good deal – having to be so sly about it, or else meet with heavy opposition” (Gilman 2).  At first, she fully understands and analyzes her situation, but as long as she cannot do anything with it, she starts to look for an escape. The author of the story insists that women locked in their marriages must have their ways of development. Being treated by their husbands as mere housewives, women with rich inner world suffer from lack of expression. One may notice that the author never mentions the name of the woman, probably because it does not matter, due to the fact image of a lonely married woman is a general portrait of all the women of that time. “But I must say what I feel and think in some way – it is such a relief!” (Gilman 2).

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Order Essay with this Title is the debut novel of the modern Mexican writer Laura Esquivel. This work “has thrust this Mexican woman writer into the world of international critical acclaim as well as best-seller popularity” (de Valdes 78). It harmoniously unites the tradition of Latin American magic realism, the felicity of phrase while the depth of emotions. The novel opens the brand new phase in the development of the Latin American magical realism. It paradoxically unites the reality and fantasy, the history of love while the recipes for the Mexican cuisine, sensuality, and mysticism. Thus, Laura Esquivel does not resemble Gabriel Garcia Marquez with his severe and global-mythological world-view. The analyzed novel touches upon the only real type of magic – the magic of women, of love, that is culinary-sexual. This paper is an attempt to consider the peculiarities of the style of the Mexican writer Laura Esquivel in the novel .

The magical realism is an artistic method in which the description of the reality incorporates magical elements. It is a peculiar tendency in the Latin American literature of the 20th century, that is different then the genre of fiction in European literature. According to Faris, the text that is written in the genre of magical realism contains a “irreducible element” of magic”. Moreover, “the descriptions in magical realism detail a presence of the phenomenal world… and also the reader may experience some unsettling doubts in the effort to reconcile the two contradictory understandings of events”. The author argues that magical realism changes the usual ideas about time, space, and identity (“Ordinary Enchantments” 7).

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Indeed, , the main characters of the books written in the genre of magical realism are usually Indians or black men. They represent Latin American cultural originality using its irrational consciousness and magical world-outlook. The characters are the subjects of the collective mythological consciousness: “the idea that reality contains magical elements is inseparable from the cultural assumptions of the people who embrace such ideas and are also reflective to their system of beliefs” (Srikanth 329). Thus, the individual nature is not significant. The author that creates a book in the tradition of magical realism always replaces the civilized view with the outlook of the primitive person with his mythological ideology.

The analyzed novel of Laura Esquivel embodies these distinct features of magical realism with particular peculiarities. Thus, is a natural continuation of the development of this artistic tendency in Latin America. The whole book resembles the myth, in which “anything could be true or false, depending on whether one believed it” (Esquivel 57). It is an interweaving of different scenarios, different destinies, and world-views. However, each of them is magical and original. Every life develops against the similar mythological background, where the meals can suggest the particular mood, the products may feel the cook, and dead people may come to the real world to help or disturb us.

No one wonders the unordinary things that happen because the whole world seems to be filled with miracles. Due to such world-outlook, the relationships between the world and people are closer and more sincere. Tita De la Garza, who is the main character in the novel, embodies such attitude towards the universe. She feels deep every movement of her life. Due to the fact author of the novel writes, “she was already crying as she emerged, maybe that was because she knew then that it would be her lot in life to be denied marriage” (Esquivel 1). She understands a close connection of the universal legislation and her life. Thus, she perceives the world from the inside. Such perspective is also one of the most peculiar features of magical realism.

At the same time, this engagement in the life does not mean the impossibility to choose and influence the consequences. Tita can take responsibility for her actions in the context of magical floating reality, that is not hostile towards her. On the contrary, this symbiosis of the human mentality while the spirit of the world, where different dimensions exist together, enables people to live according to their intuition. Moreover, it helps a person to feel the support and answer of the whole universe when the difficult times come.

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This novel is the story inside of the narrative about the life as the rebellion and struggle of Tita. Her world was the kitchen and its flavors, where magic and love existed together. As Esquivel writes, that world was an endless expanse that began at the door between the kitchen while the rest of the house, whereas everything on the kitchen side of that door, on through the door leading to the patio while the kitchen and herb gardens was completely hers—it was Tita’s realm. (Esquivel 2).

Tita is not an ordinary person. Her inner constitution is unique. Tita can see the things in the unique way, which other people could not approach. The instrument of her self-realization while the field of her creativity is the kitchen. She perceives the process of cooking as if it was magic in action. Being a real professional that feels the opportunities of this activity, Tita is able to change the world around. Her emotions and feelings are the instruments in the practical life. When her elder sister marries Pedro, who loves Tita, she embodies all her pain and sorrow in her creations – the meal for the celebration. All the guests experience Tita’s heartache. They can feel the pain and inner torments (Esquivel 20).

Thus, in the world that magical realism creates everything can become a medium; everything may turn into something else. There are no stable meanings. Moreover, there are no unchangeable things. It is always possible to transform the reality by using the personal contact with it. Furthermore, the reality has its inner sense. Although everything floats, the universe has the ultimate meaning. Not everyone can get to this sense because it is necessary to be “in” it and feel its rhythm. Tita knows the world via the smells; she sees the soul in everything around her. Therefore, she is sympathetic to every expression of life.

In Tita’s case, this meaning of the world is the true love and freedom. Although she experiences the love throughout her life, the only real moment Tita understands its real essence is extremely swift-flowing at the end of her life. The author describes this state of the soul:

If a strong emotion suddenly lights all the candles we carry inside ourselves, it creates a brightness that shines far beyond our normal vision and then a splendid tunnel appears that shows us the way that we forgot when were born and calls us to recover our lost divine origin. The soul longs to return to the place it came from, leaving the body lifeless. (Esquivel 117)

Why is such an approach of magical realism appropriate to the story narrated by Laura Esquivel? In my opinion, the tools of magical realism give an opportunity to construct the reality, which the readers cannot put in the defined measures. Magical realism is always the combination of fantasy while the real story. The books written in this genre stresses:

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the existence of an irreducible element that is unexplainable according to the laws of the universe as they have been formulated by modern, post-enlightenment empiricism, using its heavy reliance on sensory data, together with a preponderance of realistic event, character, and description that conform to the conventions of literary realism. (Faris, “The Question of the Other” 102)

With the help of the combination of different elements of magic and history, Laura Esquivel endeavors to express the world-view of the Mexican people the 20th century, when Mexico was not a developed country. The majority of people lived in mythological world. It was just another type of rationality that we possess nowadays. In the book, the author inserts the character of John for the demonstration of the parallel way of thinking, which resembles the rational Western attitude. Such contrast helps to understand better the motivations and peculiarities of Tita’s understanding of the world.

Moreover, the tools of the magical realism make possible the comprehension of the long period of time in the past better because the author directly appeals to readers’ emotions and feelings. There is no need for Laura Esquivel to retell the history of the Mexican revolution in terms of the history of the family who lived at that time. The book is not about the revolutionary developments of the beginning of the 20th century in Mexico. Laura Esquivel, in my opinion, stresses the complex of the real social problems and their reflection in the inner world and outer activity of Tita and her family. Their persuasions, way of life using its rules, moments of happiness and sorrow – these all aspects are the prism to perceive the world of the Mexican people of that time.

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"is a masterpiece that depicts the life after the bombing of this Japanese city of Hiroshima during Second World War. It tells a story of six people who survived and dealt with the consequences for the horrifying event and through whose eyes the readers see the life of the post-bombing Japan.

After reading the novel, the readers understand many things regarding the bombing such as reasons behind it. The city was a perfect target because it many Japanese soldiers was stationed in it. Hiroshima was also headquarters of the army divisions and base for military equipment. Therefore, after bombing the city, it would be possible for the American forces to destroy the remains of the enemy army and end the war in that area. That was a reason the American forces had chosen the city because they viewed it as a tool to bring the victory closer to them. In addition, due to the geographic location of Hiroshima, this task was relatively easy to be accomplished. Thus, the American officials had paid attention to the fact that Hiroshima had so many soldiers stationed there, which ruled out the civilians’ responsibility and made the city an ideal target of the atomic attack.

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It is easier for the readers to understand the entire atmosphere in the city after the event as they read about the central characters. The heroes are real people whose emotions allow anyone who has not experienced the bombing to witness it while reading the book. Among the six major characters, there is a memorable figure of Mr. Tanimoto, a reverend in the city. The author states that he turned out to be:

A small man, quick to talk, laugh, and cry. He wears his black hair parted in the middle and rather long; the prominence of the frontal bones just above his eyebrows while the smallness of his mustache, mouth, and chin give him a strange, old-young look, boyish and yet wise, weak and yet fiery. (HERSEY, P. 2)

Hersey was able to capture Tanimoto’s personality perfectly and he described his controversial nature with the words:

He moves nervously and fast, but with a restraint which suggests that he is a cautious, thoughtful man. He showed, indeed, just those qualities in the uneasy days before the bomb fell. …Mr. Tanimoto was carrying all the portable things from his church… to a house that belonged to a rayon manufacturer in Koi, two miles from the center of town. (HERSEY, P.2)

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Mr. Tanimoto was always ready for something to happen, and he reacted to the attack very fast. The reverend was outside when the bombing began, and he rescued himself immediately. The author states that:

Mr. Tanimoto took four or five steps and threw himself between two big rocks in the garden. He bellied up very hard against one of them… He felt a sudden pressure, and then splinters and pieces of board and fragments of tile fell on him. (HERSEY, P. 3)

Thanks to his quick orientation, he was able to save himself and help others afterwards. Tanimoto did everything he could to help other victims. While bringing the victims to a safer side of the river, he dedicated all his strength to the rescuing efforts. Thanks to him, many people were saved. The novel concludes with the description of Mr. Tanimoto’s life after the bombing. He no longer worked as a reverend in his church because it was ruined with the bombs, and he no longer possessed the energy he used to have before the war.

Despite the sad outcome, the author does provide readers with the anecdotes and humorous remarks while describing this and other characters (like saying that Tanimoto was quick to talk, laugh, and cry). These anecdotes are extremely important because they help to construct a complex character readers can connect with. They see real people with powerful emotions who lead routine lives and who are very similar to them. Therefore, the readers begin to question the morality for the bombing and the war in general, and it makes them realize how important it is to prevent other wars later on.

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While talking about the bombing, the author did not omit the side effects of the radiation that had affected the victims. The effects included nausea, vomiting, weakness in the body, and diarrhea.